Continuing my celebration of Star Trek’s 50th anniversary, I’m picking up where I left off last time, and counting down my 15 all-time favorite Star Trek novels. To reiterate my criteria: First and foremost,
when I’m reading a Star Trek novel, I want to feel like I’m immersed in the
Star Trek universe as I know it from the TV series and the films. I want the
book to capture, as best as it can, the experience of watching a new live-action
Star Trek adventure—but since it’s a novel, it can and should delve much deeper,
and deliver concepts and events that aren’t limited by a TV or movie production
budget.
The novel should adhere to the continuity and to
the “rules” set forth in the filmed episodes and movies, which make up what has
become commonly known as “the official canon.” I expect the characters to be
written in a manner consistent with how they’re portrayed on screen. When I
read the characters’ dialogue, I want to hear in my head the voices of the
actors who play them.
So here are numbers 10—6...
At the time this novel was published, Star Trek: The Next Generation had just
recently launched, and established that the Federation and the Klingon Empire of
the 24th century had forged an alliance. So it was easy for me to accept
the premise that Captain Kirk is somehow thrust 100 years into the future, to
find himself surrounded by friendly Klingons who aren’t out for his blood. (There’s a twist, of course.) One of the
reasons this book appealed to me is that, although it never comes out and
states it explicitly, it is the first novel to go beyond the events of Star Trek IV: The Voyage Home, which had
been released two years earlier. Dvorkin presents an older Kirk who, although
he is back in command of the Enterprise,
reflects on how the years are starting to catch up to him, and the fact that he
needs to wear the “archaic” reading glasses that McCoy had given to him as a
birthday gift in The Wrath of Khan.
It was very rare for a Star Trek novel to be set that far into the timeline, in
the same era as the movies that were being produced, and it made the book feel
more current and immediate.
If you’ve ever read Stephen
King’s nonfiction book Danse Macabre,
you may recall that it includes a long segment provided by writer Harlan
Ellison, in which he describes in great detail the story idea he pitched to
Paramount Pictures in the mid-1970s, for the first Star Trek movie. It’s a
fascinating premise that takes the Enterprise
back in time to the Pleistocene period on Earth, with Kirk and crew on a
mission to stop a race of reptilian aliens from manipulating history. The
aliens want to ensure that their distant brethren, the life forms that
originally dominated Earth, don’t get wiped out, which in turn would mean that
humans never become the dominant life forms on the planet. Obviously, that idea
wasn’t pursued by Paramount, and ultimately we got Star Trek: The Motion Picture instead. But if you prefer Ellison’s
concept over V’Ger, well, this is the book for you. (I wonder if Harlan knows
about it!) My guess is that it got the green light in the wake of the
phenomenal success of the movie version of Jurassic
Park—just look at the cover. Whatever the case, it’s a good read—certainly
the best Star Trek novel by Diane Carey that I’ve ever read. (Incidentally,
Ellison reworked his story idea into the 2013 graphic novel 7 Against Chaos. I didn’t love it, but
it was certainly interesting to see how he brought the premise to fruition all
those years later.)
I can’t think of a more ambitious Star Trek novel than
this one. It’s certainly the first, and possibly the only, one of its kind. The
story spans hundreds of years, involving an expansive cast of characters, with
a common thread that runs all the way through and touches all of their lives.
It’s set in the mid-21st century, with space pioneer Zefram Cochrane
making the first successful warp flight and World War III being fought, as well
as the 23rd century, depicting an adventure of the U.S.S. Enterprise under Captain Kirk during his
original five-year mission that ties into the episode “Metamorphosis,” along
with a related voyage of the Enterprise-D
under Captain Jean-Luc Picard that takes place 100 years later. It’s a grand,
epic ride that never loses sight of the characters in play. At the time of its
release, Federation could pretty much
be considered the ultimate Star Trek novel, but within two years, the movie Star Trek: First Contact contradicted
much of what was established in it, and as a result, the novel lost some of its
impact. That doesn’t change the fact that it’s an impressive achievement, and
still a story well worth reading—I actually think it’s better, and more true to
the Star Trek canon, than First Contact.
I have fond memories of reading this book
immediately upon purchasing it. It was a very engaging and enjoyable Star Trek
novel, and it really stood out for me because it was published at a time when I
was finding myself, more often than not, very disappointed in what was being
released as professional Star Trek fiction. Much like Star Trek IV: The Voyage Home, which it predates by two years, it’s
a story about how ecologically shortsighted we can be as a species, and the
inconsiderate ways in which we treat other life-forms. In this allegorical tale,
author Melinda Snodgrass addresses the poaching of baby seals by using an alien
species, the Singers of the planet Taygeta V, as a stand-in. It marks one of
the rare occasions in which Uhura gets to take center stage, and she finds
herself in a romance with a brilliant but arrogant musical composer who may
hold the key to helping the Singers—and to stopping a growing spatial anomaly
from spreading throughout the universe. Snodgrass, incidentally, went on to
join the writing staff of Star Trek: The
Next Generation, and wrote one of its very best episodes, “The Measure of a Man.”
6. Faces of Fire by Michael Jan Friedman (1992)
This is the first work of Star Trek fiction to
explore the backstory of Captain Kirk’s son, David Marcus, and to show how Kirk
learned of the boy’s existence. And as far as I’m concerned, it’s the
definitive version. Extrapolating from the somewhat vague clues provided in The Wrath of Khan, Michael Jan Friedman puts
together a scenario that I feel works perfectly. While later novels (and
comics) indicate that Kirk knew about David all along, Friedman establishes here
that Kirk was not aware that he had a son until very late in the five-year
mission, sometime after the original 79 television episodes. I much prefer this
approach—that we the audience didn’t know Kirk was a father during those
episodes because he didn’t know it either.
In this novel, Kirk and David’s mother, Dr. Carol Marcus, are unexpectedly
reunited as Carol is doing preliminary work on Project Genesis, and when Kirk
takes a good look at the 10-year-old boy, he realizes the truth. Confronting
Carol, he fails to convince her to tell David who his father is. She agrees to
think about it—but only if Kirk stays away. This dovetails seamlessly with the
scene in TWOK in which the older Kirk
says to Carol, “I did what you wanted. I stayed away. Why didn’t you tell him?”
In terms of Star Trek novels that flesh out underexplored bits of continuity, Faces of Fire is among the best—sort of
an unofficial companion piece to the aforementioned The
Pandora Principle, in that both books focus on key characters introduced in
Star Trek II. My only real quibble—and
it’s a pretty minor one—is that I feel the inclusion of a younger Kruge—the
Klingon commander from Star Trek III: The
Search for Spock who battles Kirk on the Genesis Planet and is responsible
for David’s death—is a bit too convenient and too cutesy, in that “prequel”
sort of way.
We’re in the
home stretch! Next time, the countdown concludes with numbers 5—1! See you
then.
Links to previous Star Trek entries:
© All text
copyright Glenn Greenberg, 2016.
I totally agree with your review of David Dvorkin's Time Trap. Very nice twist.
ReplyDeleteLeonore and David Dvorkin also did a wonderful job editing my book, designing the cover and getting me on-line.
Book Info
http://www.dvorkin.com/stephentheberge/
My Youtube Channel
https://www.youtube.com/channel/UCQbs0c1vLDuYmb08okZSk8g/videos
Melinda Snodgrass, is also the writer of some of the better segments in the Wild Cards series but in order to properly enjoy her work there, one has to read the series from the beginning.
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